The Lord of the Rings Musical (long and contains spoilers)

lotrposterThis is one of the musicals Roxi wanted to see this summer. When I found out it was closing July 19, I decided it had better be our NEXT musical .

The Lord of the Rings (LotR) is playing until July 19 at the Theatre Royal Drury Lane in Covent Garden. Do you know the muffin man? Yeah, he lives near here–har har. Anyway, this building was built in 1812, but there has been a theatre on this site for about 350 years.

The lobby of Theatre Royal Drury Lane.

We had “nosebleed” seats in the balcony–they were cheap (£15 each) so I was worried they were going to be terrible. What I keep forgetting is that in a theatre this size, balcony seats aren’t bad. I am used to the HUGE theatres in Texas where if you’re sitting in the balcony, you have to have high powered binoculars. Roxi actually prefers to sit up top while I like sitting below. But if we go with Roxi’s preference, we can see four musicals this summer for the price of one, so I’m willing to give up my posh seats. However, I will say, I do believe the people down in the “stalls” aka the orchestra seats probably felt more a part of the musical as opposed to just watching it.

I’ve invited my Roxi to post her review of the musical here. She is, after all, the whole reason we went to see this particular show. I’ll follow with some of my own comments as well as some interesting things we learned during the actor Q&A that we were lucky to attend after the show.

From Roxi:

As a very picky Lord of the Rings fan, I thoroughly enjoyed this musical-ified version of one of my favorite trilogies. It was a lovely show with fabulous effects, lighting, and sound with equally amazing and agile actors and actresses.

Condensing a such an epically long tale into three separate movies, 4 hours each, and then sizing each film down to 3 hours apiece must have been a huge challenge for Peter Jackson to tackle, but even more so for whomever decided that this classic should be seen onstage. You just can’t find actors who can put on a 9-hour show every day, sometimes twice a day, and only the most hard-core fans would be able to sit through such a fantasy-filled and confusing production (but believe me, I’d have stalls tickets for every performance). Things have to be cut out, and that’s the sad truth.

Lines, scenes, whole characters and even an entire nation was missing. Legolas’ part was minuscule compared to the movie. The Battle of Helm’s Deep was nowhere to be seen, either. That was the one, movie wise, where all the elves came marching in and Haldir said, “I bring word from Lord Elrond of Rivendell. An alliance once existed between elves and men. Blah blah blah, I would be proud to fight alongside men once more,” and then he gets axed in the back by some random orc and dies, much to my displeasure as he was my favorite character. In the book, Legolas was the only elf present at the battle, but either way, it was a siege-y type thing to…well, keep the keep of Rohan so that they may remain safe from Sauron and his forces. I was OK with that part going, I guess, though it is one of the main battles in “The Two Towers”.

Characters missing included Faramir, King Théoden, Éowyn, Éomer, Grima Wormtongue, all of the horse masters and basically Rohan in its entirety. Haldir was transformed into a nameless Rome-dude like elf, and King Denethor of Gondor was portrayed less as a dark, mad corrupt king, and more as a frail old man who looked more like King Théoden under Sauroman’s control, agreeing to fight with Aragorn the moment he saw the shards of Narsil, the sword used by Isildur to sever Sauron’s finger way back when. And yet… somehow I was totally OK with all of this change. No, seriously. And I can be really, really picky when it comes to leaving stuff out…or for that matter, adding in things that never happened in the books.

The deal with Rohan is yes, it adds a new interest to the story, as does the struggle with Faramir for his father’s love and attention and also the traitor-ghosts in the mountain from “Return of the King”, but it’s not all completely necessary. Sometimes, in order to keep the show’s running time relatively short, you have to cut things that aren’t essential to the story’s plot, even if it means leaving out the Oliphaunts and Legolas’s renowned archery skills.

The reason for this is because most –if not all- of the audience members know about all of these things. Most of the audience members are already fans of The Lord of the Rings, so it’s a concept that automatically registers in one’s mind. But there are certain things that you CAN leave in.

Take Shelob for example. She is portrayed by this huge wire frame with little strips of cloth hanging off of her- she’s a puppet. And yet, she fits in perfectly with the feel of the show. The Witch-King, aka the Head Black Rider, was an amazing work of theatrical art, as was the Balrog, an outstanding display of heat, lights, sound, and little bits of black tissue paper being blown in your face.

Gollum/ Sméagol was an incredible spaz of split personalities and internal struggles, combined with a certain agility and athleticism and an almost comical yet perfect tone of voice that produced a convincing and remarkably frightening character.

This production was jam-packed with special effects, wonderful choreography, marvelous voices and a superb cast. Go and see this musical. It’ll blow you away.

OK, that is a pretty hardcore fan review. Here’s mine (the clueless chaperone):

Where to start? Well, as you first enter the theatre, you cannot miss the amazing set. One of the pluses of seeing a show with a long run (as opposed to a national touring show like we would get back home in Texas), is that the set is in place for the long run of the show. Which means it can be elaborate and in the case of the LotR STUNNING. When you walk in, you are walking into Middle Earth. The stage and the sides of the theatre are covered with exquisitely made vines from floor to ceiling. In the center of the stage, a huge gold ring.

“Middle-earth comes alive in the auditorium 15 minutes before show time!” our ticket announced. What this means is the characters come out and start luring you into their world doing Hobbit type things like catching fireflies and paling about. At the end of the 15 minutes, you are sucked into this magical world.

I am no LotR super fan, but I was totally blown away by this musical. Barely a musical in my book (just the right amount of singing for this story, though),
appropriate music (no rock solos or pop numbers), this show featured Cirque du Soleil-inspired stunts, an INCREDIBLE undulating, rotating, elevating stage, and fascinating magic.
“The costumes, the scenery, the makeup, the props… THIS IS IT!”

I, too was impressed with the athleticism of the actors, not just the ones who did the stunts, but all the actors. The choreography was challenging! I never would have been able to keep up. And my apologies to the actor who played Gollum in yesterday’s matinee performance. I didn’t catch his name, but my gosh! he was awesome. ALL the actors and actresses were great and worked so well together. Big booming Gandalf, true blue Samwise, bumbling Pippin and Merry, thoughtful Frodo, gorgeous Arwen, stalwart Aragorn, and golden voiced Lady Galadriel will sweep you into their world and make you believe.

And here’s what we learned during the actor Q+A after the show. You can learn more about the behind the scenes here.

  • They had to add three generators to help with the electricity load since the building is so old.
  • There were five months of rehearsals.
  • They’ve been performing for 13 months.
  • There was a LotR stage version in Canada before the London show, but it was seven years ago when someone thought of doing a stage version.
  • There are seven “swings”–people who know all the characters and can slip into various roles when someone goes on holiday, gets sick or injured. My daughter told me it would be “fun” to be a swing. She tends to memorize everyone’s lines during her shows.
  • It took two months (after the design) of intense work to build the stage. They actually ripped out the existing stage to put in the amazing rotating, elevating one.
  • There is a cast of 53 including off stage crew and swings.
  • It takes 250 people to run the entire show (I believe that includes the 53 actors and crew).
  • The actors have to show up about an hour and a half before curtain. They do a 15 minute warm up.
  • During rehearsals, the creative team pasted on the walls reams of information about each character, which the actors would then spend their spare time studying. Some of the rehearsal times would be spent just trying to “be” Hobbits or Orcs.

So, there you have it. RUN RUN RUN! Don’t miss this show, even if you’re not a big LotR fan. It’s worth going to if only to see how they pull it off. Only 15 more days before it closes.

The Lord of the Rings Musical

Theatre Royal Drury Lane

Catherine Street, London, WC2B 5JF

Closest station: Charing Cross

Finally, Happy Independence Day to all our American friends!

Artwork by Roxi. Mixed Media: Nail polish and ink.

And Happy Birthday, Dad! As you see, your card has a little different theme than last year. Roxi says it’s from the “Mother Land”–haha. (My father is not of English decent, Roxi’s talking about the USA). XOXO We love you!!!!!!!

Have a great, safe weekend everyone :-)

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About the Author: JaPRA is an expat Texan living in England with her husband (Mr. DJ), their 17-year old daughter (Roxi), and their dog Trudy.

RSSComments (9)

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  1. Laurie says:

    Happy Birthday to Mr. Momo!!

    You and Roxi must review every show you see this summer this way. Fantastic!!

  2. Barrie says:

    What a wonderful, detailed review. Love the artwork! Happy Fourth back at you. I’m about to print off your cucumber salad recipe. :)

  3. Anonymous says:

    On behalf of THE LORD OF THE RINGS team thank you for your fantastic reviews of our show. We are delighted you both enjoyed the experience and appreciate how you have captured the spirit of the show in your reviews.

    Kevin Wallace

  4. Alyson says:

    How old is Roxi again?! Her review was thoughtful and spectacular. Well done!

    I loved yours as well. I felt like I was there. Too bad London isn’t just around the corner for me, or else I would go see it.

    Loved the artwork too. Hope you guys are able to celebrate the holiday over-seas!

  5. Bee says:

    JAPRA and Roxi,

    You have really sold this show! Now I am desperate to see if we can fit it in before we leave next week.

    I loved hearing about the extra behind-the-scene stuff about what it takes to launch a show. Also, Roxi deserves big kudos for her well-written review.

  6. Just a Plane Ride Away says:

    Laurie–Roxi loves to write, so I am sure she will oblige you ;-)

    Barrie–Thank you! I hope you’ll let us know about the now famous “Fourth of July Party on the Hill”.

    Mr. Wallace–Thank you for taking the time to stop by and comment! Roxi was thrilled to read your kind words. As a theatre enthusiast, it means the world to her to hear from you, and she’ll never forget it. Wishing you the very best as you finish up your successful season.

    Alyson–Roxi’s 13. She reads A LOT. Can you tell? I wish you lived around the corner too. I think we’d have such fun!

    Bee–Thank you, my dear. I wish theatre had a rewind button because there were some scenes that took our breath away and we wanted to yell “WOW–let’s see that again!”.

  7. Kathleen Amen says:

    I am DEVASTATED to learn that this show will close before I get to London! I’m a complete LOTR geek and would have loved to see it, but your reviews will have to stand in for it. Thanks for at least letting me know what I’ll be missing. Maybe I’ll be able to catch one of the touring versions sometime….

  8. Just a Plane Ride Away says:

    Kathleen–Oh no! I am so sorry you won’t be able to see it. Maybe you’ll get lucky and it’ll be staged somewhere in Europe while you are here. So then you’ll have the excuse to 1) visit somewhere else and 2) see the show!!

  9. Christine says:

    thanks for stopping by.

    Good to know that someone reads my ‘news’

    You and Roxi are so literary. Impressive.

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